
Critique
Critiques were translated in a general manner
Kronen Zeitung, 2009-09-29, Theatre Linz, "Sweeney Todd" by Stephen Sondheim
It sounds from all corners and ends … Markus Miesenberger is with his voice and violin a hope…
Kleine Zeitung, 2009-03-23, Haydn "The Seasons", Kapfenberg
… Tenor Markus Miesenberger proved as a partner, who convinced word-clearly and soundful. …
Neues Volksblatt, 2009-01-02, Bach’s "Christmas Oratorio", Evangelische Kirche Linz
… from the solo quartett handsome, brightly voiced tenor Markus Miesenberger as evangelist stood out, Gerda Lischka mastered her songs with well-founded alto, Eva-Maria Büchl proved as reliably acting sopran and Andreas Lebeda as formatively experienced bass. Continuous applause for the successful presentation…
Kronen Zeitung 2008-10-31, Schubert’s E-flat major mass, Musica Sacra Linz
… Highlights of the vocalists were naturally the tenors Michael Nowak and Markus Miesenberger…
OÖ Nachrichten, 2008-09-29, Premiere Theatre Linz, "Sweeney Tod" by Stephen Sondheim
Masters fell from the sky
What confidence has to enjoy this Sibelius that the involved ones of a daring idea submit, which demands everything of them? They must shine as actors, lead their singing voices through a composition most fastidious for the category, provide even on the instruments for the good tone and be continuously present. They lift this load with so convincing ease that one could say, here truly fell pleased masters from the sky…
… naive affection flows through Markus Miesenberger’s (violin) young sailor Anthony Hope…
OÖ Nachrichten, 2008-10-03, Bach "St. John's Passion", Musica Sacra Linz
… an excellent quartet of soloists: Markus Miesenberger as evangelist, Gotho Griesmayr, Irene Mittmann and Marc Calvert knew to set their songs into the right light…
OÖ Nachrichten 2007-10-25, Nelson Mass, Musica Sacra Linz
… an excellent quartet of soloists, especially Gotho Griesmeier with sound-strong soprano and clean melodies; Christa Ratzenböck with noble alto; Markus Miesenberger with clear tenor and Martin Achrainer with round, also in the depth full bass…

Neues Volksblatt, 2007-10-25
… Markus Miesenberger with unspent tenor and juvenile energy…
Die Presse, 2007-10-18, Recital with KS Robert Holl, Vienna Konzerthaus
… Schubert is also Holl’s explained favorite song composer. From him he selected a number of cheerful quartets and terzetts – among them the drinking songs and the cantatas for the celebration of the recovery of Ms Irene von Kiesewetter - whom he realized with his former students Maren Engelhart, Daniel Johannsen, Markus Miesenberger and Thomas Weinhappel in the demanded mixture from amusement, broken irony, occasionally also dramatical charm…
Kronen Zeitung, 2005-05-26
Lively, joyfully and fresh presented Markus Miesenberger (tenor/barock viola) and Erich Traxler (cembalo) a pure baroque program in the Cathedral of Wilhering.
The artists appeared variedly either solo or as duo. A feeling for emotional intelligent performance adheres to both.
Dragging along the Capriccio in C major for key instrument solo or the humourous song of the Polydor - for the next concert, the duo is most warmly recommended.



